
Umm... I know this is a single picture, and I haven't seen ANY other art from this show, but she looks a TAD too much like this guy:
A regularly updated spectacle of cartoon art & commentary with Trevour Meyer.







Gorillaz: Rise of The Ogre
Walt Disney: The Triumph of the American Imagination
Playboy: 50 Years: The Cartoons

My mom just found this photo and gave it to me yesterday. I don't remember her even taking this picture, but I'm sure glad she did! This is a photo of me in action, drawing somebody at my first ever caricature gig last summer (2005) at the Wilkin County Fair in my hometown. I was only about a month into being a [lousy] professional caricaturist, yet I thought I had what it took to set up my own tent at the fair and charge customers for what I thought would be passable as a decent caricature.




As you may or may not have noticed, these costumed critters seem familiar. But I can't quite put my finger on it... hmmmmmmm.
Look at that. EXACT pose, EXACT head shape, EXACT everything. Except for the lengthened tail on the mouse, the costume, and the pitchfork. Oh, and just to be on the safe side, a halo is added to ensure us that this cute little guy isn't promoting satanism in any shape or form (artist pun intended!). I should also point out that you will notice all of these Halloween drawings have altered scary giant green-colored iris eyes.
Hey, at least this one looks like the artist didn't do a direct carbon copy... although that's not really helping the situation. It now looks like a slightly melted version of Blair's, colorized! Badly!
Wow, huh? This one, on the other hand, IS a direct carbon copy. OH, but hold the phone!!! That darn cat is looking UP in the Halloween version! And that major alteration alone gives it character (pun!) all on its own. I noticed his eyes don't follow the line of action either (not saying it HAS to), but if you're designing crude non-animation holiday decals, who needs line of action anyway?
This one is rather interesting. It's some kind of super hybrid Franken-dog! He gets the special treatment - not ONE Preston Blair reference, but TWO! I included both references. The curve of the front leg, the expression of the dog's face. If you're gonna do direct copying, you might as well go nuts and mix it up a little. And look at that - instead of attaching the earring to the dog's actual ear, it's just part of the pirate hat! And that's safety. Kids, don't be piercing Rex's ear now! Do what the decal says!
Here is the other dog. And he's just as amazing as the previous pup! Another mashup of dogs! If only dog breeding were this easy in real life. Wouldn't it be cool to have a German Shepherd body, with say, a Chihuahua's head? Anyway, the artist took a big gamble by drawing the standing ear a SECOND time, and creating an ALL-NEW tail! And how about that nose? Seems fitting for a clown-dog. By the way, I hate clowns.
This one wasn't as obvious, and is the least noticeable... but I THINK I found the proper references in the Preston Blair book. First, if you look at the jester cat on the left, the mouth kind of gives it away for me. There are plenty of other drawings of this 'faux-Tom' cat in the book, but the Blair cat I included seemed to be the closest match. Now take a look at the bodies. The jester cat has the same legs as the Springer Spaniel on the right... likewise, the Elton John kitty seems to rip off the foundation of the Boston Terrier (or whatever it is). At least we have S-shaped cat tails, though. If those hadn't been drawn I don't know what kind of animals I'd be looking at!
I don't even have to explain this one. Sheesh.
And this one's just as bad! But what's going on with its hands? If you look at the Blair version, you can see that they're a cat's HANDS/PAWS. In the Halloween version, they look like grotesque webbed claws. I'm sure it's because he keeps getting his dirty little paws too close to that boiling cauldron of bubbling brew. See, even the pumpkin is trying to warn him not to make that mistake again.
I'll be honest when I say that as recent as a few years ago, I had no idea who Ed Benedict was. But, I have known his work all my life, as a guy addicted to cartoons since early childhood.
It wasn't until I started getting serious about animation that I began to discover the names of artists connected with their artwork, characters, and designs - there ARE geniuses responsible for every single element of a cartoon, believe it or not!
A lot of the other [more prominent] blogs out there have already covered the important and amazing aspects of Mr. Benedict's contributions to animation history, so I won't bore you with redundant information. But I would like to express my pure awe and admiration for a guy who was an absolute genius in his medium. From the '50s era Droopy shorts ('Deputy Droopy' makes me laugh every time!!), to his indisputable layouts and character designs that define the Hanna-Barbera 'style' (see these pictures?), you can see why Ed Benedict was a legend.
Ed Benedict lived to be 94. You can't complain about that! He sure will be missed, but Ed's work will live on forever, and continue to entertain countless fans and inspire artists worldwide.
This excellent list is taken from illustrator Keri Smith's blog, Wish Jar Journal. Keri's got some gooood stuff over there if you've never visited. She actually posted this months ago on her site - but I was just reading it again tonight, and I thought, hey! Wouldn't it be good to share with all of the fellow artists out there in Artopia? Sure.
Later!


What is it about all those modern collegiate/professional team logos that stick to that same style? Iconic? Yes. Lifeless? Also yes. When designing MY version of Willie (refer back above), I wanted to make sure his look was little more cartoonish. Last year's was still pretty stiff, but this year's was a natural evolution. When I look at Willie's head alone (in the '06 graphic), I picture that as its own great logo. Jef and I were discussing possibly putting that face on shirts for school events. We'll see how that goes.